Posts Tagged ‘Ben Perez’

I have finally forced time to bend and created a way to make a podcast for White Christmas!!  Thank you to Ben Perez, Stephen Evans, and Valerie Valenzuela for taking time out of their day to sit around a table and talk about the show.   Don’t worry, we all love the show! You will too when you come and see it!

Episode 11

(Click to listen)

Show notes to follow shortly!!!

Wow, we are beginning our third week into rehearsals for the show, but so much has happened so fast that I couldn’t keep up with the rehearsing and taking notes and pictures for these updates.  So, I will have to try my best and do it all from memory.  Bear with me!

Orientation night for the show always carries with it a unique kind of tension.  It’s not defensive or uneasy, it’s just kind of there.  We are all there for the same reason to put on a great show and to have fun while doing it, so there isn’t a need for ego or drama.  It’s not like going to a party where you have the cliques of people who exhibit that kind of behavior.  While there are people who do hang out more often together than with others, they are still approachable and welcome the interaction.  But back to the show…

Everyone was very nice and kinda chatty.  We watched the presentations from the designers and other staff members as they explained the vision and look of the show.  One thing that made me nervous was the Set Design presentation by Stephen Wathen.  In all honesty, I have no idea where they are going to put this massive set and still have room for the orchestra and the cast to move on and off stage.  That will be one feat of theatre magic that I am anxiously waiting to see performed.  If anyone can do it, then I know that he can. The Saratoga Civic Theatre has maybe about 50 x 65 feet of wing space on either side of the stage, and I may be exaggerating that measurement a bit on the high side.  From my understanding, and here comes a huge sigh of relief from the audience, the orchestra will be set up in the wings and not across the front of the stage as the often times are.  There are 15-20 people in the orchestra, so that nearly takes up half of the space on one side of the stage.  I can’t remember exactly how many people Rachel Michelberg, our Music/Vocal Director,  said she will need, and at the time she needed a few trombonists.  You should’ve seen how quickly some people, myself included, whipped out or phones and sent out the call on Facebook and/or Twitter.  Luckily, that’s all taken care of now.  The rest of the orientation was introductions of the cast to one another, and with that we were excused for the rest of the  night, but warned to be ready to work on Monday night.

The first night of rehearsal was the usual figure out which vocal part everyone will be singing, and skipping around the score to familiarize us with the sections of music that we will be singing.  I did arrive to rehearsal nearly 6 minutes late that first night and was given grief, in a lighthearted and non-accusatory way, right as I walked in the door.  I slinked to my chair, and people laughed.  I don’t know if it’s because I got in “trouble” or if I played up the pity tail between the tail puppy dog eyes.  We carried on with the rehearsal, but nearly 5 minutes later, my buddy Brett Carlson saunters in like he’s right on time and quickly grabs a seat as he puts his feet up on the empty chair in front of him.  Throughout the night, he was the target of friendly jabs from Rachel and some of the other cast.  I know it doesn’t seem like it reading this, but as a group we were really beginning to bond already.  Most of the time Rachel would have us sight read the section just to see what we can do.  With me not being able to do that, I would focus my ear to hear what Brett was singing, because luckily he knows how to read music.  So, thanks Brett for the help!  ‘Preciate it.

During most of the rest of the week, our vocal focus was on the number “Snow.”  I personally, am not a fan of the number.  It’s not that it’s a bad song, or anything like that.  I think I just may be over-Snowed or something.  Nothing too interesting happening during this time except when Rachel would stop us because we were creating a few brown notes during the process.  Um, you don’t know what a “brown note” is?  I don’t know if it’s something that my friends had created during one night of our many “rousing” game nights or what have you.  Without being too vulgar, I’ll just say that a brown note is a note that makes your stomach cramp in that bad seafood kinda way.  Nuff said.

Week number two vocally continued with the intricately harmonized “Snow.”  Although, I do have a question, what the hell is “shussing?” I am assuming that it is the sound the skis make during the activity, but I’ve never been skiing, so I can’t say for sure.  It’s just a really weird word to hear and say.  Ms. Director/Choreographer lady, Katie O’Bryon got us moving for the number “Let Yourself Go” and I freaking LOVE it!  The movement is so Gene Kelly/Jack Cole in style that it is a pure joy to dance.  It’s kinda hard to get pictures of it when I’m dancing, but I will try and have some for the next post.  I got partnered with the AMAZING Valerie Valenzuela.  She’s a ball of incredibly supportive positive energy who is always ready to work and laugh.  I am so jazzed that I get to work with her on yet another show.  Speaking of which, I am also delighted to be working with Ben Perez, Stephen Evans, Sven Schultz, Sean Carson-Hull, Frank Sherlock, Heather Schweitzer, Paul Hale, Andrea Stanley and of course Katie who were all in Sweet Charity earlier this year.

Then somewhere between week one and week two, one of our cast members Michael Carey who was supposed to play Sheldrake was nowhere to be found.   The role of Sheldrake has now been picked up by Sean Bender.  I didn’t get to see any of the rehearsals with Michael, so I can’t tell you the differences between the two, but Sean is making the most of Sheldrake and I am enjoying watching him play with this character.  With crisis averted, the show plugged onward.  Then some time over this past weekend, the wonderful Peter Schuurmans, bowed out of the show due to familial issues, and the cast has, in my eyes, lost a great performer.  I hope that everything works out and that he is back on stage as soon as possible.  Meanwhile, this departure has left the role of Private Phil Davis available.  For those of you only familiar with the movie version, it would be the Danny Kaye role.  Then I got a phone call Monday morning from Ms. O’Bryon, asking me if I would be interested in assuming the role.  Well, yeah, I would, but the acceptance was a little bittersweet.  There were many reasons why this isn’t a straight up joyous arrangement.  First, I was truly looking forward to the camaraderie that seems to build throughout the run of the show by being in the ensemble dressing rooms.  Second, I don’t get to dance with Val anymore.  Third, I have to learn two weeks worth of work in four days to keep the show from falling behind schedule. Fourth, because it was under this particular situation.  If it came to this because of  an injury, then maybe I would be a little more happy about it.  And NO, I am NOT wishing him any harm.  He’s a great guy and performer, so don’t you try and twist my words around.  Katie’s called ended with, “so…now this means you have rehearsal tonight.”  Not that I mind, but I was all set to have the night off like the rest of the ensemble.

My first night in the new role was a bit stressful.  I made sure to study the script and music for most of the day, but the music was still a train wreck when I got there Monday night.  In my head, those little voices that said, “Why on earth did they choose you from such a strong cast,” began to play with my head making focus a little more difficult than usual.  Luckily I was recording every note of that night, so I have something else to practice with.  Also, the publishing company has this software called “Accompanease” which is what will be saving my hide during this transition.  I have managed to create a playlist with most of the orchestrations and only the parts that I need to sing.  Lucky for me that little bit of help is available.

Last night, I had to learn the dance break for “The Best Things Happen While Your Dancing.”  A lot of fun, but I was expecting that.  What I wasn’t expecting was how long the song was! The best way that I can equate it is, it feels like I have done so much cardio and I am getting to the point of where I have to stop, but then I push a little further past that.  I don’t know how much I retained, but I know we will revisit that number again, so I am grateful for that.

So my friends, that’s how White Christmas is shaping up thus far.  It’s going to be AMAZING!  Katie’s staging/choreography is spot on and brilliant, the entire cast is strong and great to work with, and Rachel is drilling these numbers into our heads so well that we should know this music for YEARS.  Even me, the guy with the awful memory!

I don’t have a lot of pictures right now, but you will be able to find them by clicking HERE.

Hey kids!  Here’s Episode 3!

The show notes are available on the Podcast page.

This one is short and bittersweet.

Thanks for taking a listen!

Well, the costume fittings were MADNESS!  Madness, I say.  On Wednesday, the cast tried on the costumes for the show.  Huge thanks to Carol Clever.  She took what is thought to be a deceptively minimal look show, and gave it a realistic type of look. What’s difficult is that most productions  just want the sparkle  because it looks great.  My thoughts are that we would have a better connection with the audience and the text if we go for a more realistic look.  It will have a bigger emotional impact in the second act as well if you are truly listening to what is being said.  It was such a challenge to imagine what these things would look like on stage with colored lights and the stage set and dressing, I’ll have to admit.   What I found the most amazing was how much input that I, little ol’ me, had in this whole process.  Incredibly, the director, Bill Starr, and I have the same vision for the show.  Yay!!  I am excited that my thought process, even in spite of my limited training, runs along the same track as this intense man that I have learned several things from.  Now just to let you know, that when I say limited training, I mean actual school training, I am always reading books and learning the theatre craft. Back to the outfits.

Some of the looks needed to be tweaked.  All of the looks need alterations though.  I feel horrible because it’s a lot of work for our costume designer, and so I and several other cast members like Victoria and Beth Ann (by way of Brett) have offered our help to make the show look as good as it can.

My fav is the Frug outfits.  Still working on the hair.  The wigs were fresh out of the box and just plopped on the ladies heads.

Melinda Beason puts 'tude in her go-go boots!

Ms. Melinda putting the 'tude in her go-go boots!

Patty Reinhart is dangerous in her go-go outfit!

Patty Reinhart is dangerous in Frug outfit

These are going to be made shorter to give you more leg.  Hot. HOT! I tell ya.  For the men, there are some things being fixed.  They will be wearing a tux shirt and pants with a bow tie and  flounce accents on their sleeves.  Here’s what my trio is wearing.  I think that the vinyl vest for the men is so sleek.

Valerie is rocking the Union Jack!!

Valerie is aloof and rocking the Union Jack!!!

Act 1 opens in the park with varying degrees of 60’s looks.  Here are just a couple

Heather Schweitzer vogues in her 60's look

Andrea looks like she's ready for school.

Ben makes a tiny tribute to another Bob Fosse show. Can you name it?

For Rhythm of Life, there wasn’t a lot to look at on Wednesday.  We had several tops, but not completed outfits.  So I can’t quite bring you a true look for that number but it should be colorful.  But I’m A Brass Band will be faboo!

Always immersed in the role, Ian Teter models the Brass Band outfit

I am leaving the Big Spender costumes out because there’s gotta be something to surprise you when you see the show.  I just wanted to give you a little sneak peak before the show.  You may think that these looks are plain, but keep in mind the lights, and all the stuff that’s going to be on stage to add colors.  I can’t wait for the day we set foot on that stage with the sets in the theatre.  I think that’s when everything is going to click, and I can have a refreshed perspective of the show.