If I could see me now…

I’m talking about COSTUMES!

I am trying to figure out what I want my characters to look like and I have some ideas (when don’t I, right?)  I have tried to find pictures, but I have only been able to come across three that are remotely similar to what I am picturing.

Great pic!! Whew! So the play takes place in New Mexico in the 1940’s.  One of my characters, Andrew,  is the older brother of the main character, Antonio Marez.  I (hopefully) am early to mid 20’s. I have returned home from WWII.  Before heading out for the military, I was raised on a farm.  I am not entirely just a farmer boy anymore thanks to the war and being influenced be the world outside of the farm.  So a bit farmer mixed with a hint of city is what I hope this character will look like.

The guy in the lighter colored hat would be my other choice for the character of Andrew.  One of the other ideas is that I could use that look for my random vaquero or cowboy appearances.  It’s not heavily country in look but still rugged.

For my “villian” look, I would like to try and find a look like any of the guys on the above pic, except for the obvious white guy.  Although I am hoping that I can get it to look more dirty.  The character is Juan Blas.  That is supposed to be two characters, but they just combined all the lines and gave them to me.  Yay!  This guy really only hangs around with the true villain of the play because of the free beer.  He’s got no real job, and there’s always dirt under his finger nails. And he’s got no real desire to wash them.  I like the vintagey style, but I want it to be slightly ill fitting and uncordinated, kinda like he picked up these pieces from the trash and uses them.

Do you have any suggests, or even better, pictures that you can send me that would be closer to what I described?  I want to get this type of info to the costume designer as soon as I can, so time is of the utmost importance.  Thank you kindly for reading!!

Mem’ries…

During rehearsal tonight, I happen to be passing by the table that the director and the stage manager tend to work from.  I looked down and began to stare at this neat picture of Death…on a cart.  I think it was possibly a chariot, but it looked like there was no way to hook up a horse to it, so I am gonna call it a cart.  Very long bones, Death has.   I know weird thing to notice, right?  So I picked up the paper (cuz it was a photocopy from the web, I thought) and underneath it there was a book.  And I already forgot what the book was called.  Crap! Anyway…I began to flip through the pages, without any true interest in the book as I was killing time before we got started.  After flipping all the way through and not really seeing anything that caught my eye, except to find out that the Death Cart was a photocopy from the book, I put the book back on the table.

As I begin to walk away, I looked at the cover once more and I recognize that little picture of a boy just sitting there.  Then, I hear in my head, my nina’s (or godmother’s) harsh shrill voice!  She’s calling me a child of the devil and telling me that I am possessed.  Then I begin to remember how I got a spanking out in the parking lot of that little place in Bakersfield where a statue of this kid is located.  That creepy ass little kid statue.

Let me backtrack a little bit.  I was baptized apparently and I think I’ve mentioned before that I used to spend the summers in Bakersfield.  Bakersfield if you don’t know is as hot as…well, hell! Back then, in the early 80’s there wasn’t much in the way of shade in that place.  I only remember one big community pool, a lot of running around in the sprinklers, and burning sidewalks and roads at 7 in the morning.  I would stay with my nina and listen to her yell at her daughters that they couldn’t have this or that. I don’t recall ever needing to go to church, ever.  But there was one time when she wanted to go and see this thing what I always thought was called “Santonio Toucha.”  I didn’t know Spanish then either. And they spoke it so fast, I hated having to stay there for 2 and a half months.  I didn’t know what they were  talking about half the time. I have since come to learn that the little bugger is called “Santo Nino de Atocha” I was close. It translates to the “Holy Child of Atocha.”

I don’t remember what the outside,  or inside actually, looked like. I just feel like it was small.  If I had to compare it, I would say that I felt like I was in something that was that size of a crypt or small mausoleum in a cemetery.  There weren’t other people in the place.  Just my nina, Cecilia, my Uncle Robert, and their crybaby daughters, Angela, Rita, and Lena.  I remember walking into the room and half of it was enclosed like the picture above.  You were supposed to walk through the gate and kiss the statue’s feet or shoe or something like that.  I remember watching my cousins do it, but not my Uncle.  Then my nina tried to make me go in the gated area.  I remember not wanting to go and holding my ground as she began to shove me through.  I grabbed onto the gate, not wanting to go near that thing.  Finally, she pulled my hands off of the gate and picked me up and carried me up to the statue.  I went NUTS!  I know I pulled out some of her hair, because I still hear about it from my cousins on the extremely rare occasions that they are in town. But I flailed and screamed and cried for everything that I could so that I didn’t have to touch that oddly shiny little boy sitting in his gown.

This picture is just a small ceramic statue for the tourist to have.  The ones in the shrine areas are pretty big.

Thankfully my uncle said “Let him go! He doesn’t want to do it.” So my nina dropped me and I “teleported” outside of the gated area.  Hell yeah! It was instantaneous.  As soon as my feet touched the floor, I was already at the gate.  She did her thing, and whirled around and grabbed me by the arm, under the armpit as she dug her nails in as was her custom, and was screaming at me that I had the devil in me as well as the things I stated previously.  As soon as we were out of the (room?) (building?) whatever the hell it was, she whipped off her  chankla.  Urban dictionary has a great entry for it! It reads:

a flip-flop, sandal or slipper. 

If you’re hispanic, you know all of the above are known chanklas and considered sloppy attire.

Gangsters are notorious for wearing them with white tube socks & shorts when having bbq’s at the park.

Abuelitas are also known for slapping you with a chankla if you get out of hand.

Vas a salir con esas chanklas? 

Te voy a pegar con me chankla si no te sientas!

Don’t make me take my chanklas off! (spanglish)

I don’t remember how many times she hit me, but I do remember having large red welts up and down the front and back of my legs.  I don’t care if I did have the devil in me, I was not going to touch that thing, and still won’t to this day.  Of course, now it’s a different matter, but that thing is still gives me the willies.
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On a different note, I will begin posting pictures of the Bless Me, Ultima rehearsals on my Facebook page.  Check ’em out here!  That’s all for now!

Deadlines, deadlines, dead lines…

It’s really tough when you want to accomplish something and you know there’s a deadline looming in 4 weeks.  But even before the deadline hits you push the ball into motion and hope that things turn out the way that you would like them to.  But that ball gets popped on the way to it’s destination because it wasn’t pushed sooner. Or so I am told.

I can understand that just fine.  I don’t have a problem with that.

The problem that I do have is that I am told that my project, that is potentially small potatoes, isn’t being given enough time to have an impact to benefit those involved.  Then come to find out that a major event that is two weeks away is still in planning stages by the same people that popped my ball!  I have a bit of an issue reconciling that logic or line of thinking in my noggin.

Clearly the lines of communication seem to have a cut connection.

Snip, snip.

You want me to what? Piece of cake! Oh, at the same time!

Weeellllllll, that’s a whole other story!

I have always wanted to take swing dancing lessons.  If I could pick a time to live in other than this one, the Swing Era would have totally been my bag!  All these amazing dances to shake a leg to? Not to mention the kick ass music as well.  Way, way better than most of what’s out there today.

It turns out that I get to dance a couple of 8 counts with the wonderful Laura Benitez.  We got to work on a little sumpin’ sumpin’ during today’s rehearsal.  Laura taught me some of the basics of swing and we tried to work on a routine that would be appropriate for the scene.  Okay, so the scene is as follows: It’s near the end of Act 1 and Ultima and Tony are trying to save his Uncle Lucas.  Lucas had a curse placed on him, and in order to save him, Tony’s spirit goes to a place that’s supposed to be purgatory.  While in purgartory, Tony sees his brother, Andrew (Me)  and I am dancing with a prostitute who hopefully will have a death mask on or will be represented as another form of El Muerte.  At first we’re a little slinky, but when I see her for what she is, I beg to be saved.  During our dance, I have a conversation with Tony and I try to escape from her grasp.  Do I get away?  You’ll have to see the show to find out.  And we are just one little piece of this scene.

For tonight’s rehearsal, we had no music to work with, so we are kind of anxious about the song selection.  It’s still unclear what we’ll be dancing to.  In addition to that small problem, our Tony wasn’t in attendance tonight, so we couldn’t really set the dialogue to the routine either.

I have to admit it was quite the challenge to perform a new routine and deliver lines in a one sided conversation at the same time.  After running the scene, Laura and I went to work in the hallways to try and solidify what we’ve got so far.  I give it two thumbs up! This scene is going to be pretty intense if we pull it off.

Knowing when to say “Enough.”

Have you ever gotten a plate of food that was just too much for you to handle?  Has anyone told you that you had “eyes bigger than your stomach?” How about that “you have bitten off more than you can chew?”

Welp, that’s me in a nutshell.   I think of all these things that I want to do, and yet never get to doing them because I always seem to never have enough time.  Without whittling out the very little amount of sleep that I already get, what else could I cut in order to get everything done.  I can’t cut back on TV because I have already done that.

I always want to help and I jump at the chance when people ask because I truly do want to help.  Sometimes I have to wonder though if I am really helping them out.  I guess I have to better utilize what little time I have or try to multitask MORE.  I don’t think it’s possible to do that though.

The reason that I bring up this whole issue anyway is because as I am reading the book version of “Bless Me, Ulitma” I am learning that there are major events left out of the play that actually help me make sense now that I know about them.  I am reading the book in pieces each night before I go to sleep.  Granted, it is an easy read, but I only have those few minutes before drifting off to sleep to get some reading in. I confess I have actually been reading it ever since we started rehearsals, and I STILL have about 40 pages to go.

I KNOW that sometimes my eyes are bigger than my “stomach.”  I just have to figure out how to tetris it all into MY time schedule.   Do you got any suggestions?  I’ve got the “To Do List” thing going and while that helps to remind me what needs to be done, unexpected interruptions make it hard to control all the time.

So what do you do? Or are you like me and try to cram everything in all the time and in effect really harvest nothing of true value?

Somebody just throw water on me already, will ya?

What a world! What a world!