Medieval Times + Funny = Gold…

Once Upon A Mattress

I don’t know if anyone did funny medieval better than Monte Python but, Stage 1 Theatre in Newark is offering up a very funny version of Once Upon A Mattress.

It’s a royally funny tale of an overbearing queen trying to keep the prince from marrying anything other than a “true princess” and the most unlikely of princesses who comes from the swamps to win his hand.

The first time I heard the cast recording, I have to confess, I did not like it.  But then I figured I was being unfair and should maybe watch it to see if I like the show better if I knew the script and the songs.  Alas, watching didn’t help.  I left thinking that I would never watch this show again, let alone listen to it.

Then I find out a dear friend is in the show at Stage 1.  I have been trying to get out to see my friends perform some more.  Not only that, I can check out this theatre and see what the drive is like since someday, I would like to audition for Stage 1.  Luckily, several of my fellow Sugar Babies went as well.

I thought I was lost and pulled into a parking lot and I stopped a couple to ask if I was in the right area.  Oddly, it was Carissa De Mesa (she’s got an amazing photography book by the way), whom I haven’t seen since we did West Side Story years ago, and as it turns out, I was in the right place!  With 8 minutes to spare, I purchased my ticket and found my seat.  The theatre is very nice.  The seats are pretty comfortable, the stage is a standard proscenium, and the orchestra is set up directly in front of the stage.  I wish I was able to take a tour of the backstage area.  I wonder what the wing and fly space is like.

Now for the show itself.  Carissa pointed out that according to the program, the 21st wasn’t a scheduled performance so I don’t know if tonight was a brush up or if was an after thought performance.  I have to wonder if tonight was a little looser because of this.  Would the weekend shows be as free as this performance?

I am still not a fan of the story itself, but the life that these actors put into the show made me like it better than I had.  And I had completely written off the show.

I was immediately impressed.  The orchestra conducted by Ken Nadler was fabulous! They didn’t overpower the actors and they were so clean.  It reminded me of a Dan Singletary orchestra, and that guy is AWESOME!  Then a minstrel enters and sets up the show for us. Barry Bailey’s singing was outstanding.  His voice was clear, strong, and perfectly understandable.  As we begin to meet the characters, the stage is filled with so many funny bits and moments that I don’t know if I caught them all.  Brandon Fouch as Prince Dauntless was goofy but absolutely endearing.  You can’t help but to cheer for him. Princess Winnifred, Christi Marie Wallace, is a beast!! Her comedic timing is flawless.  She has got some pipes on her, too! My favorite song was “Happily Ever After.” Sven Shutz and Jennifer Gregoire as Sir Harry and Lady Larkin were hilarious whether in lovey-dovey moments or when having a tiff.  Great chemistry between those two.

This show is over the top as far as the story goes IMHO, but the cast rose to the challenge and brought forth many laughs from the audience. If you have already seen WVLO’s production of Sugar, then I highly recommend you continue the laughter with Stage 1’s Once Upon A Mattress.   The show runs weekends until the end of the March (no show on Easter).  Click on the links to get tickets to either show.

Congrats to the cast for a very funny show.  Nice work.

What Is THIS Feeling?…

With David Lampke, Amanda Vogel, Andrea Furtado, Samantha Stidham,  and Andi Kline
With David Lamcke, Amanda Vogel, Andrea Furtado, Samantha Stidham, and Andi Kline

With “Sugar” now officially open, I have this slight sense of sorrow.

For the last six months, I have been bouncing from one show to the next.  I’ve met so many amazing and fantastic people that have made me laugh, given me the creeps (they were supposed to), or terrified me, and I have enjoyed each moment.  There wasn’t a day were I thought “I don’t want to be here.”  Even on the really REALLY tough days.  I just thought “how can I make it better”

Last night, when I got home from the theatre, I kept walking to random parts of the apartment.  I had no idea what to do with myself.  For the rest of the night the only thing that ran through my head was: What do I do now?

My friends and I am sure my job would say take a break.  But my head and my heart are saying FIND SOMETHING!!  No, it’s more like they are screaming it! It’s been a blast just letting loose and throwing every idea I have in this last role.  It’s like I’ve been given free reign to do anything that I can think of (within character, of course) to bring life to my version of Daphne.  But now that the rehearsal period is over, I don’t have a new persona to “create” and I am feeling a little saddened by this.  Finding my good boy cop for “Nana’s Naughty Knickers” and my inner lecher for “Promises, Promises” and my cocky masculinity that turns to kind-hearted lady for “Sugar” let me explore my brain and feelings.  It was like exercise for those things.  The things that get missed because they aren’t used the same way our bodies are for dancing or brains for doing crossword puzzles.  I got to play pretend on my quiet by myself times and I saw such great things.

I think the best thing that someone said to me last night, even though I can’t say I agree, was “there were times that I forgot you were a guy!”

That is all thanks to the scenarios I got to play with in my head.  I had to think and feel things like what’s it like to be swept off your feet by someone you just met? Or how do you break the news you need to break without hurting anyone? Or how do you feel happy for your friend that’s happy but jealous and upset with your best friend for that same reason?  All of these from a female and a male perspective.  I hope that some of it comes through in this show and I don’t know for sure if it does because everything is so gosh darn funny.

Oh, yeah, did I mention that this show is FUNNY!!! So ya gotta keep on top of that too!

And I think that’s what made these last six months so incredible… it kept me on my toes emotionally and mentally.  Now I have this fear; what if it doesn’t happen again?

So we’ll see…

I hope you get the chance to see “Sugar” which is “Some Like It Hot” in musical form.  You can get tickets at WVLO.org or by calling 408-268-3777 and leaving a message on the voicemail.  It allows you to actually pic the best seats available this way.

In the meantime, since I have some to spare, I will be out and about looking for mischief and updating the blog a lot more.

Thanks for your patience during these busy but SO INCREDIBLY AWESOME few months.

♥♥

It’s So Hard To Say Goodbye To Yesteryear…

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Last year around this time, I ain’t gonna lie, I was a pest!  Almost borderline, D-Bag.  Why I capitalized that, I have no idea. I just feel like it was that bad.  You see, 2012 was the year of the Dragon.  And it just so happened that I was born during a year of the Dragon.  So I  kept saying “Year of the Dragon!” at random times and sometimes I threw it into conversations.  Usually it would be combined with some sort of comment about me being awesome or better than.  See what I mean? D-Bag!

The other day, I came across the animal for 2013 for Chinese New Year.  It’s the Snake.  I don’t know if you knew that or not…But, now you do!  Somehow seeing this tidbit of information pulled the memory of the whole “Year of the Dragon” outbursts.  This, of course, made me wonder if my good luck in 2012 was in part due to my horoscope.  Back around 1997-8-9, we bought these little $5 books about our Chinese horoscope signs, mine being the Dragon and my partner’s being the Rat.  As it turns out, according to the books, those are the perfect pairing.

My horoscope for year of the Dragon is as follows: Your tremendous drive and personal skills will create many opportunities this year, which should stretch you to your utmost.  Channel your energy into these opportunities by all means, but do now forget to apply yourself to study.

**Note** Perry just said “did you know that it was your year?”

OH HELL NO!!!!!  I had to just remind him about this very thing I am writing about.  And I thought my memory was bad! hahahaha

Okay, sorry for that outburst.

As I was saying, I was curious if my good luck was due to my horoscope so I decided to find out what the horoscope would be for me in the Year of the Snake. For those of us born during the Year of the Dragon, the Year of the Snake yields the following horoscope: Everything that you decide to try your hand at this year should prove to be a great success, for the Year of the Snake is an excellent year for the Dragon.  However, this year you must be particularly careful to pay proper respects to the dead.

As least that’s what a little $5 book I bought many years ago says.

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I just looked up this little hardback book on Amazon and it’s selling for $25!!!  WTF??

Wow!  I don’t know why it’s priced so high, but it’s a quick read.  Have you ever wondered if your horoscope directly influenced your life?  Are you also a Dragon? Did you have a good 2012?  What are you planning for 2013?  Lemme know in the comments below!

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An Unexpected Journey Started With Being a Cheerleader and Meeting A Giant…

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On Thursday,  I finally watched The Hobbit: An Unexpected Journey.

It was so breathtaking! I loved the breadth of locations and the transitions from scene to scene.  While the character development was brief but adequate, I am hoping that the sequels will have more  info on the backstory of each of the charming characters.

I really wanted more of Radagan the Brown and his rabbit sleigh.  I WANT A RABBIT SLEIGH!!!! AND A HEDGEHOG!!!

I think the storytelling was well paced and the dialogue snappy.  The only complaint I have is the three trolls that stole the four horses.  I thought it went  a little too three stooges. And I know that this is a special effects heavy movie but I wish that it wasn’t so obviously digital at times.  Regardless of those little gripes, I really enjoyed watching this movie. It actually got me to think about the unexpected journey that I have taken this year. But first I have to give The Hobbit: An Unexpected Journey:

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Four big ol’ smiling faces! Hooray!!

As I mentioned, the movie made me want to do two things.  First, it made me want to take an unexpected journey of my own.  It made me want to travel to somewhere, anywhere and see new things and meet new people.  I think that may be why I love to try new things.  I began thinking “shoot, I have almost a week off maybe I should try to take a trip somewhere.”  Then the reality that my car may not make it kicks in and squelches that idea.

The second thing that it made me think about was the journey that I’ve taken this year and where it has led me to thus far…

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At the beginning of the year, I got to be the MC for NotBlueAtAll.com‘s A Fatty Affair.  It was a blast.  I loved being a part of something that is encouraging and positive.  I loved it so much that I am gonna do it again come January! And you are all invited!  Its a self accepting event where there are no judgements, just each of us enjoying the beauty that is you as you are and empowering you to believe it.

Then,  feeling great from the Fatty Affair gig, I thought I would try my luck with an audition for San Jose Stage Company.  It was one of the few auditions that I really felt pretty good about an audition.  I believe I may be getting the hang of this.  YAY!!  I didn’t get in and I wasn’t expecting to since many of the people they use are Equity.

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Next, I was really focused on more dancing and I loved it.  I got to perform a piece choreographed by one my teachers, Daynee, in various incarnations.  At one point, I thought it was going to be  a solo since it started out as a quartet then went down to a trio with different people.  Then, we were asked to try it as a duet, but then we couldn’t nail down a rehearsal time, so it was nixed.  It was great to perform it during National Dance week in Santana Row and at Western Ballet’s dance show as well as Zohar’s own dance performance.

It was there that I met Walter Mayes for the first time.  Actually let me reword that.  I knew who he was and I’ve seen him before, and he kinda scared me.  You see, the first time that I was actually in the same room as him, he was physically throwing this little guy out of a house.  Imagine seeing this 7 foot man (if not that then very nearly) picking up this little 5 and a half foot guy and carrying him to the door.  He had this booming voice, and I thought to myself, “I am just gonna stand over here and stay out of his way.”  So when he came up to me after the dance concert, I didn’t know what to do.  He asked me to audition for Promises, Promises in the middle of the year.  I told him that I didn’t think I was going to and I gave him my reasons, but he insisted that I audition anyway.  Eventually I caved.  It would be a good learning experience to work with a new director.  Auditions came, I flubbed it and I secretly was hoping to be done with it.  But somehow, Walter offered me another shot during callbacks and I landed the role of Mr. Kirkeby.  So I had to wait until the end of the year to begin rehearsals (which are going on now).

While I was waiting for rehearsals to begin, I began to feel a little braver thanks to the conversation with Mr. Mayes.  So I auditioned for a brand spanking new musical about the buddha, but this time it was a woman.  I travelled to San Francisco and was there for a hot minute, and came back home with an appointment the next week for audition #2!  That was exciting.  Sadly, that was as far as I got in the process.  Not to worry, I didn’t fit any of the physical character breakdowns so I knew that it was ending soon.  But that little try helped me to see that auditioning wouldn’t kill me or maim me in any way, so my intense fears were completely pointless.

Feeling bolder, I auditioned for the national tour of Green Day’s American Idiot.  It was just like any other audition.  I wasn’t sure what to expect and I think I was building it up way too much in my head. I didn’t screw it up, but I don’t think I was flawless either.  hahahahaha.  Live and learn, right? Again, I was a face your fear situation and I walked away the winner of that battle.  Then the audition well, dried up for a month or two.  So I was twiddling about with nothing but my 9-5 to keep me busy.

One day in my inbox, I got a notice for Santa Clara Players, a company I have never worked with. I considered auditioning, but I never heard of the show, nor did I like the title of it.  So I trashed it and paid it no mind. Things continued like normal until the day of auditions.  I did all my usual errands and went to visit my family.  Then on the way home, I was literally on my street, I decided to give it a shot.  I first got lost trying to find this place but once I did I couldn’t turn back.  So I walked in completely cold and performed a monologue I’ve had in my back pocket since high school but stopped using.  It got me my first leading man gig!  Of course he was like the 4th important character, but finally I had this type of role.  I cannot tell you how much of a booster that was.

During the middle of the rehearsals, I got an email from a friend to participate in a read though of his scripts so he can tweak and adjust them and address any questions that could possibly come up.  I have a draft of the post that was supposed to go up, but I didn’t finish it.  I will work on that tonight!  That was the first time I’ve ever been invited to give input on a script that’s just been written. I mean I’ve done it for AMT when I worked there, but that was because I didn’t have anything else to do.  Someone asked me, as an actor, to do this, so I was shocked.

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So as I am performing in Nana’s Naughty Knickers, rehearsals begin for Promises, Promises.  I didn’t know what to expect when I got there so I kind of kept quiet and watched the people for the first week.  Now having gotten to know many of them, I have to say, they are a fabulous bunch of people. Some I’ve worked with before, and some I am meeting for the first time.  But all are so helpful and friendly. Then to make the process even more painless, the staff is awesome.   Mr. Mayes is such a positive and detail oriented director that it makes you want to work that much harder for him. Lee Ann Payne our choreographer has made some adorable numbers, hard as all get out, but adorable.  Dan and Anita who handle the music and vocals respectively are so helpful.  This staff has been described as the “dream team” and I have to admit they may be right.  I am having a lot of fun so far and I can’t wait til this show gets put on it’s feet at the end of January.  You can purchase tickets HERE!  So get’em cuz we may just sell out! Screw that, we WILL sell out!

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Then a few weeks ago, there were auditions for Sugar.  I knew the movie Some Like It Hot which the show is based off of.  I really wanted to participate in this show and I wanted to keep this momentum of getting to auditions and not freaking out, so I gave it a shot.  Since I couldn’t possibly rehearse for two shows at the same time, I thought my chances were slim to none. I thought my song was good, the tempo was slower than I would have liked. The reading went fabulously, I felt, especially since they were laughing a lot.  So I got a call back for the two leads and a character that tap dances to his death.  The callback felt a bit rough, but I tried a ton of stuff even if it didn’t make sense, I wanted to push and not play it safe.  We must’ve read about 6 times a piece with different partners then switching the roles. Every single time, I tried new stuff.  I tried not to repeat what the other guys were doing, and I had to hope that it worked.  Then I was told that since I was going to be missing the first three weeks of rehearsal, the director really had to think hard about the ramifications of offering me one of these main roles.

AND I GOT IT!!!!

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So come the new year, I will be rehearsing two shows at the same time!! Gah!! I already began working on Sugar and the script is so funny and I feel so blessed and grateful that the director trusts me enough to do this.  But to be safe I have an understudy, Ian Douglas, who is a great performer.  Talk about pressure!!

So I look forward to seeing where this newly found “bravery” takes me.  Its time to plan for next year. And I am planning bigger and hopefully better!!

Onward and upward, my friends!!  I hope that you too take a look back on your 2012 and see the unexpected journey you have taken.  Have things turned out as you hoped?  Have you learned something new about yourself? Leave a message below.

Les Mis Left Me Le Meh….

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To this day ever since seeing the live theatre event that is Les Miserables, once the faint singing of “Do you hear the people sing/Lost in the valley of the night/It is the music of the people/Who are climbing to the light”  I feel the sting of tears flood my eyes and a lump forms in my throat and my ears start to burn.  Then the music begins to swell and the voices sing out louder and louder taking me over the wall and into the revolution with them.

Seeing this masterpiece of a show on a stage has such power that there, simply put, isn’t a way to match it, unless it’s to film a live production of it.  You know, like they did with RENT.

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I try to pretend that the movie with the original cast was never made.  Its just that bad.

This brings me to my point.  Watching the “midnight” showing of Les Mis last night with my friend, Tressa and with Perry, left me feeling like I wasted my money.   I love the show, I really really do.  So when people try to Hollywoodize a Broadway show, I know there will be differences.  What I don’t understand is why someone would take this show which has worked as written for decades and rewrite some lyrics or switch them or cut a song.  Is it because movie audiences just wouldn’t get it?  It’s possible.  I mean the characters of the Thenardiers (played by Sacha Baron Cohen and Helena Bonham Carter) were blown up so over the top it was terrible.  But they were bastard versions of the characters so that typical movie audiences would be okay with watching a musical.  Yes, I know its a downer of a show and they are the light moments, but making them clowns isn’t necessary to showing the funny in their behaviors. I think that was a horrible choice for the casting director (Nina Gold).  They may as well have put in Adam Sandler in for Cohen.   I couldn’t wait for them to get the eff off the screen.

Speaking of horrible choices, Ms. Gold, what were you thinking with Russell Crowe?  No, really.  I would love to know.  I understand that simply as an actor he looks and can play the role of a hard-nosed inspector in France in the 1800’s.  But his singing was just atrocious.  I felt bad for him.  And myself.  Did you have him actually sing “Stars” at the audition?  Wow.  His rendition gave me nightsweats!

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I know I am being a little mean to you Ms. Gold, so here’s some good to go with the bad…

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Samantha Barks, Eddie Redmayne, Daniel Huttlestone, Anne Hathaway and Aaron Tveit were great.  I could close my eyes and see all of them as part of a stage production.  Of course Ms. Barks has already been (see the clip below) and Mr. Tveit has been on Broadway as well (Catch Me If You Can).  As the lovelorn Eponine, Ms. Barks, my favorite part of the movie, is heartbreaking but never defeatist which makes me root for her all the more.  Huttlestone as Gavroche was perfection as the feisty little revolutionary.  I loved the moment he sings “Think you’re poor/Think you’re free/ Follow me/ Follow me…” He is standing in the window of a carriage singing down to an aristocrat with one foot on the ledge in a position of power.  It is a great shot.  One of the few that I enjoyed in the movie.  Marius’ epic “Empty Chairs At Empty Tables” was for me the showstopper of the movie and Redmayne was mesmerizing.  Anne Hathaway made Fantine strong and delicate but such a fighter that she is worthy of the Golden Globe nomination.  Mr. Tveit was on point for this role! He was my other favorite actor in this movie.

Samantha Barks sings “On My Own”

Oh, speaking of Golden Globes, Mr. Hugh Jackman, while doing a very very good job in the movie was kinda weirdly uninteresting at times.  Don’t get me wrong, I love me some Hugh, but there were moments where I just had to scratch my head and say “WTF?”  For example, during the new “song” (it doesn’t really fit in the show, style wise, I feel) Valjean is supposed to be stroking Cosette’s hair while she is sleeping on his lap.  First, his hand is held in an awkward position, and then when you really watch he’s not even touching her hair.  To make matters worse, the director cuts to a close up and shows him tenderly (or as I like to say fakely) caressing her hair.  Then during his rendition of “Bring Him Home,” he starts almost in a belting voice which leaves nowhere for the song to build to.  I just wanted to close my eyes and wish for Colm Wilkinson to take over after a few lines.

AND I ALMOST FORGOT TO MENTION: It was so awesome to see Colm Wilkinson (The original Jean Valjean) as the Priest who gives Valjean the silver to remake his life.   It just brought the biggest smile on my face.

One thing that the movie can do better than the musical was show in greater detail the battle scene.  It is powerful and heartbreaking.

The other thing that bothered me was the lack of new angles and shots when it came time to sing the songs. Each solo was filmed head on with only one person in the shot. Even the duets are filmed in this way.  If I remember correctly, all the songs were sung as they were being filmed live, so I can understand why it was filmed like this. But for a movie that is 97% sung it gets old fast.

I will hold firm that the best musical converted to a movie is Chicago.  I don’t think Les Mis is an entirely lost cause, but I think I should have waited for a matinee to shell out some dough to see this “show.”

It is a pretty good movie, just not as amazing as I was hoping.

I can only give Les Miserables

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Two smiling actors.  Maybe I will upgrade review when the dvd comes out.