Altos!! I feel you!! Whew, child…

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Hellllloooooo, Dear Reader!!!

What a weekend it has been! Our little production has been a MASSIVE hit and the audiences have been NUTS this weekend. LOL!

It has been such a treat to work on this production. When I was asked to join the cast, I was thinking it would be for Mushnik or ensemble. Secretly, I was hoping it would be the dentist and the 3 people that offer Seymour contracts in “Meek Shall Inherit.”

And then, Gentle Reader, THEN director, Whitney, says “we are thinking you will be a great Ronnette.” SAY WHAT!!?? Of course, immediately I said “I’m in!!”

I didn’t realize the implication of what this role would take. I LOVED IT!!!

It has been one of the most challenging roles to date. As a tenor, I automatically go for the higher notes in harmonies and the melody lines in songs. I know there is a tenor joke in there somewhere. (How many tenors does it take…)

Singing the alto line was SO much harder than I expected. It wasn’t the fact that it was higher than I usually sing, it was the fact that I kept trying to jump up to the soprano’s notes. ย It was so hard for me to maintain my vocal line. I know, I KNOW, singing isn’t my strong suit and this is my first major vocal role in almost 2 years. So I tried not to get too upset when I couldn’t get things right immediately.

To say that I leveled up my patience is an understatement. I know I had a crap ton of work to do. ย It wasn’t just because I was missing nearly half of the rehearsal time, but because the revival music is so much more complicated than the original.

My Dear Reader, let me tell you that the stress levels were high. Not only were the songs something to focus on, but I had to find my way through playing one of these roles in a gender bent versus a drag performance. I am so glad that the director wanted to try the gender bend because it gave me more of a chance to find ways to bring something a little bit different than what is already in the bones of the show. ย I kept thinking how can I, as a male counterpart to the two other ladies in the the trio, react to things in the script. For example, in Act 2, the Shoppettes, fawn over Seymour in Scene 3, which is right after Mushnik’s last scene (just to keep the details vague in case of spoilers, LOL) and I felt like that it wasn’t the right move for me to also make. Instead, I used the line that one of the other Shoppettes says “You’re going to be so rich,” into the start of my character arc building. I then went back through the script and used “Somewhere That’s Green” (we are on stage at this point) as my motivation to get out of Skid Row. Everything from that point on, all my choices are driven to be sure that #RonnettemakesitoutofSkidRow.

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Oh, Kind Reader, with only 2 more performances to go, it feels like we are still finding more and more joy each time we step on those boards at Pintello Comedy Theater and I am going to be so sad to see this production end.

Be sure you catch this show while you can! What’s your favorite song from this show? Mine has to be the title track. I am bummed that I only get to slip on my mermaid sequin green/black jacket two more times. That’s right. ย You’ll have to see it. Is there a moment in the show that you love? That would be mine. LOL! Leave me a comment and let me know your thoughts.

Until next time, Gentle Reader!