“‘Cause every night I lie in bed
The brightest colors fill my head
A million dreams are keeping me awake
I think of what the world could be
A vision of the one I see
A million dreams is all it’s gonna take
A million dreams for the world we’re gonna make“
HELLO Gentle Reader!!!
Christmas time always brings around one of two things.. 1. A Star Wars movie or 2. a feel-good movie. I skipped 1 and went directly to 2. And I don’t regret it.
To say The Greatest Showman is a fantastic movie is barely doing the film justice in my opinion.
The idea of bringing yourself and others up from being held under by circumstances like class or appearance or race weaves a moving story of the start P.T. Barnum’s (Hugh Jackman) career, a dreamer with the belief that he can create a life for his family that is the complete opposite of his childhood. However, focusing on trying to fight your past can create other issues with your present.
Jackman’s performance is spectacular in all facets; the acting was clear and strong, the dancing was amazing (his clarity of movement and lines were mesmerizing), but for me, his singing was the clincher. If you were to listen to his performances in Oklahoma or Les Miserables or Boy From Oz, you know his “sound.” He’s a belter. Nothing wrong with that, but sometimes I want to hear a little variety in a voice. The Showman music has allowed him to show more of his voice in a way that I feel hasn’t been featured much, if at all. I was expecting it for Bring Him Home in Les Mis but never got it. Hearing him use this lower register more was like being given the most wonderfully unexpected surprise. This role could not have been played by anyone else that I can think of with the same power.
The major theme of acceptance runs throughout the film. From Barnum wanting to elevate his status in society, to the performers in his circus wanting to just be a part of society not just its freak show as well as self acceptance, to Barnum’s wife, Charity (wonderfully played by Michelle Williams) who just wants a simple life with her family, to Zac Efron’s socialite producer, Phillip Carlyle, who is too afraid to lose status in society to find something that makes him happy. The entire ensemble was fantastic. I was so happy to hear how talented all the actors were.
The script was written by Jenny Bicks (Emmy winner for Sex and the City) and Bill Condon (Oscar winner for Chicago and Dreamgirls). It is no wonder why this movie feels so polished in its storytelling.
The beautiful and uplifting songs were written by the team of Benj Pasek and Justin Paul (La La Land, A Christmas Story and the incredible Dear Evan Hansen) and are easily something that can be recorded into a pop song and played on the radio. I am a wee bit surprised that “This Is Me” “Never Enough” or “Rewrite the Stars” haven’t had that treatment yet. LOL. I found the music energetic and catchy and haven’t stopped listening to the soundtrack since.
Visually, it was a crazy spectacle of color and flash during the circus scenes interspersed with stunningly clear regular life. Some of the shots were just gorgeous. Two that pop in mind right away is during the number “Rewrite the Stars” there is a shot of Anne Wheeler (Zendaya) on the trapeze singing beautifully clear while the rest of the shot spins around her. Then, in “This is Me” there is a moment where Lettie (Keala Settle) turns around and then everything else around slows down. There are so many great shots but there is also one really bad one. LOL. It happens toward the end of the movie during “From Now On.” With so much great imagery, there is one that is just so jarringly out of place I wanted to flip a table. GRRRRR!!! When you see the movie, I am sure you will see it. Still, director Michael Gracey has made a very well done film.
I was really excited to see this movie and am so glad that I enjoyed it so much. This is like a little love letter to the dreamers. The people that want to be something more.
Like us.
Gentle reader, I’ve missed you.
I’ll talk to you this weekend.
j.
The Actorvist 