Hello Gentle Reader,
I have been unfortunate to find this sad news in a multitude of ways. First, a phone call, then an email, and in my mailbox today, I found a letter. The sad news in question, dear friend, is that the place that I have called my theatre home has announce that after 60 years, they would be closing the doors.
This is devastatingly sad information to find out. And as hard as it is for me, I can only imagine how it must feel for the board of directors and some amazing friends who have given so much time, energy and love to this endeavor.
I have been so incredibly lucky to have had the opportunity to experience so many firsts with this incredible non-profit. Before I get in to any of that… buckle up, this is gonna be a little long.
Dear WVLO,
When I walked in to my first audition with you, I could never have guessed that for the last 33 years I would get to play so many incredible characters on that Saratoga stage under your banner.
Thank you, thank you, THANK YOU to WVLO for being a safe space to play, grow, learn, experiment and connect. I learned so much with this company and many of those things that have made my life so much better and more complete. This was the first space that I felt safe enough to try new things but most importantly, was allowed to try them. I don’t know that I would have had that chance in other places.
My first show should have been King & I back in 1993. The production had just started rehearsals and I was a late addition. At this time, I was heavy into competitive dance. It was an all boys group and we had won seven championships for our category. One of those wins got us into a national competition that was going to be at the event center right by Disneyland. The only down side was that this occurred during the tech week and opening weekend of the show. It was decided that maybe this wasn’t the right time to try and be in a show since I was committed to this event. I was bummed but it made sense. I didn’t know what “tech week” was at that time or how much of a commitment that alone is.
However, I met Nancy and the Hand family at that time. I also met the Pincus’ and I am pretty sure, their daughter Judy. I never would have guessed that these people whom I have come to adore, we be so gracious to welcome me back to work as part of the stage hand crew for Meet Me In St. Louis. I had a worry that there would be some sort of hesitation to have me work on another show. Silly thought.
MMISL is where I got hands on experience being part of the group that works on the physical transition of the stage into a new look between scenes, or helps hand out props to the actors and sometimes assists with a quick change, just to name a few tasks. Without a stage crew, a show would be impossible to happen. At this time, I was still in high school and my drama teacher was directing the show. Since I was still competing, I knew that I most likely couldn’t be on stage. I spoke to my teacher about it and he made the suggestion of stage hand. I was able to compete and miss a weekend of shows so that worked out really well. It was a lot of fun and I had learned a new part of the theater world. Up until this point, I had only been a performer. Having the chance to do backstage tasks, helped me to learn how each job in the project was super important. It wasn’t just about the actors on stage.
It was this point that I truly fell in love with the world of the theatre.
In 1995, I had given up competitive dance, mostly because I wanted a job so I had a little spending money of my own and found that my drama teacher was once again directing for WVLO, so I auditioned for West Side Story. As part of the ensemble, I was so jealous at how much dance there was in the show but that I didn’t get to do. I would jokingly say this show should have been called Jet Boys and Shark Girls. And even though I was envious of the dances that I wasn’t a part of, I still got to dance quite a bit and it was SO much fun. The team of John Healy and Debbie Norris always put on a great production.
Then, later that year, I was cast as Tulsa in Gypsy. My first featured role that was outside of a school setting. From there, it has become a lot of featured roles and an occasional choreography gig and then a directography gig, the only thing I didn’t do with WVLO was strictly a director’s gig.
Since that time in 1993 as a stage hand, I have always tried to make a point of helping other areas of a production if I was able. Whenever I am an actor, I always offer help to costumes. And when I am just doing choreography. Ok, pretty much every show I offer help to costumes. 🤭
While learning a lot of this stuff in school and conservatory is great, I only really ever got the chance to be hands on when working at WVLO. My learning was focused on performing, so all the other aspect of theatre was really just reading and talking with people maybe seeing that person at work. Never actually touching a lighting board to see how to blend color or creating a sound cue.
I am really going to miss this place. I feel truly lucky that I was invited to be a part of the Diamond cast for the 60th anniversary celebration. But even more lucky that I got to be on stage as two dear friends, Nancy Hand and Judy Pincus actually got to take that bow that they so very richly have deserved.
With my entire heart, thank you to WVLO for being such a massive part of my life and for everything you have offered to me. I thank you for every person that I have ever had the chance to share that stage with. I thank you for the incredible people that I have had the chance to learn so much from behind the scenes. I thank you for the billions of times that I have laughed so hard I lost my breath. I thank you for the hundreds of dance steps I got to make. I thank you for the chance to play characters that took me out of my regular life and let me figure out someone else’s story while I was trying to figure out my own.
But most importantly, thank you for the amount of love you poured in to me. I would not be who I am without that and I am so sad that I will never get to repay it. – j.
Thank you, Kind Reader, for letting me share that little story. It has been stuck in my chest all week. I have been trying to think of ways to save this place. I am sure that the group has already thought of these things a million times. Hoping against everything that there is a way, and I am sure there is. I would love to be the person to revive this brand. I have some ideas and I have some insight where the struggles are, now it is just a matter of how to get these dots connected.
I am sure that I have mentioned at some point in the last 20 years of writing, that I would love to have my own theatre company. I don’t think that will actually happen, but what if I could help to reestablish one?
Do you have any place that means a lot to you that helped you grow? Or maybe some nonprofit that you love because of the mission? Let me know what are some of the reasons you love those places.
As always, Dear Reader, stay safe and alert. Take care of yourself and those around you. Until the next time our paths cross… ❤️
The Actorvist 